Showing posts with label ONEMIND Magazine. Show all posts
Showing posts with label ONEMIND Magazine. Show all posts

Friday, December 31, 2010

Remembering the life and passion of Richie "s/ave" Douglas

slave Pictures, Images and Photos
Richie "s/ave" Douglas

If this story sucks, it’s most likely because I didn’t let my editor give it an “anti-wack” review first. It’s not because I didn’t meet a deadline or was too lazy or too busy to submit it for critique. It’s because he’s gone.

On the morning of December 31, 2009, I received a phone call with the tragic news that my friend and writing mentor, Richie “s/ave” Douglas, had died in his sleep the night before – a result of the epilepsy he battled all his life. He was only 36 years old.

As I gathered the details from Tee, his rock-solid wife, my heart sank because it all seemed so familiar. Just two months earlier, the gospel rap community also lost Juan “Enock” James – the 35 year old former Cross Movement member who moved to Houston from Philly as a result of his friendship with s/ave. It definitely felt like the proverbial punch to the gut.

The last story s/ave edited for me (just a week or so before) was my Enock memorial. Now I knew I had to write another one, that it wouldn’t be nearly as good without his input, and that it would be twice as difficult to author because it was about him.

*****

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Sketch, Ambassador, DJ Official, Tonic, s/ave, and Bad Luck

s/ave was the original Christian hip hop journalist. He was writing about the genre before I even considered publishing a piece.

As an early consumer of the music, his “Real Criticisms” column in Heaven’s Hip Hop Magazine guided my otherwise blind purchases and proved that coverage of faith-based rap records did not require a rubber-stamp approach.

The “Unsigned Hype” issue of that same periodical is what spurred my introduction to Houston’s Christian hip hop scene. Because of s/ave’s research and writing, I had the snail mail addresses of guys like C.I.A. and Blackseed. I wrote them letters about my interest in their work and several responded. Nuwine even called to introduce himself and invited me to my first gospel rap concert at a church near the Astrodome where his buddy Lil Raskull would also be performing.

In my senior year of college, Rich mailed me a copy of the inaugural issue of the ONEMIND newsletter he started in his one-bedroom apartment in northwest Houston. I didn’t know how he got my address or knew me, but I was deeply interested.

I contacted him about writing for OM and we arranged to meet face to face at an upcoming Cross Movement show. That was the night I learned he was Caucasian. This came as quite a surprise. After all, what self-respecting white man would have the gall to call himself “s/ave?” (In actuality, he gained the nickname as an MC when he co-opted a lyric about being a “slave to the rhythm.”)

*****

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s/ave freestyles with Blackseed and Optix at Club 360

s/ave’s memorial service brought out a slew of “heads” from Houston’s old school Christian rap scene. Bad Luck and Optix reminisced about the Bonafide Zealots (aka Bon-zee aka Bon-Z) crew and all their different lineups and spellings. We even listened to their “Throw You a Curve” cut from 1999 that reminded me of grimy, early Labklik recordings.

Ras told us how Rich gave him the hook for his “One Fo’ the Sick” song from Controverse All-Star, his debut Christian rap album. He said it was the first time he ever accepted lyrics written by someone besides himself.

Grapetree Records’ Knolly Williams shared the tale of a 21 year old “s/ave” sending him unsolicited album reviews for Heaven’s Hip Hop Magazine. He was just three years older than Rich but loved his passion and eventually hired him to be the editorial voice of his side publication.

Interspersed with the hip hop stories were memories from family and friends in the deaf and education communities he grew to love in his later years.

Dusty Douglas told us how much he admired his older brother, how s/ave always stood up for the underspoken minority, and how “Christianity fit him like a glove.” Others remembered Mr. Richie’s kindness toward the special needs kids at the elementary school where he worked or talked about their friend by making the two-finger, forehead-to-crown sign they crafted to symbolize his shaved head.

*****


s/ave signs off

I mentioned Knolly Williams recognizing s/ave’s passion. It was something I picked up on too and noted in a recommendation letter Rich asked me to write when he was in between jobs.

Whether it was self-taught web design, how to properly write his pen name (“All lower case letters with the ‘l’ as a forward slash mark,”) animation, healthy eating, or simple living - when s/avey had an idea he chased after it full bore.

And that may be what I miss and want to emulate about him most.

####

Click here to read more about s/ave's founding of DaSouth.com

Monday, January 18, 2010

RIP: Richie "s/ave" Douglas

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On Thursday morning, December 31, 2009, Richard “s/ave” Douglas (36) went to be with the Lord Jesus Christ. He died in his sleep at his home in Houston, Texas from an epileptic seizure. While he had battled the condition for many years, this was an unexpected occurrence and a complete shock to his friends and family.

Born on March 27, 1973, s/ave was a devoted follower of Jesus and passionate fan of hip hop music. In the mid-90’s he was on staff at Grapetree Records and served as editor of Heaven’s Hip Hop Magazine – one of the first true attempts at Christian rap journalism and a lifeline for fans of the faith-based music in the pre-Internet age. He penned the “Real Criticisms” column and initiated an “Unsigned Acts” issue that spotlighted future Christian rap figures such as Nuwine, Future Shock, and Raphi Henley (aka Shames Worthy).

After moving to Houston, s/ave started the ONEMIND newsletter in 1995 out of his one-bedroom apartment and continued to cover the genre. As the one-sheet garnered more readers, it grew to into ONEMIND Magazine and featured the writings of James “Bad Luck” Parry, Excelsius, Kenneth "Bus" Falls, Jr. (owner of The Bus Shop), Jelani Greenidge, and Sketch the Journalist.

As the world wide web boomed and ushered in the Information Age, s/ave adapted his magazine to an online forum. OM95.com continued to bring album reviews, news, and analysis to the Christian hip hop culture. Its vibrant message board continued to build community until the launch of DaSouth.com.

That site was created to be unified banner site for gospel rappers in the Gulf Coast area. The concept was that artists would forgo forging their own web identities and adopt the DaSouth.com name. Not only that, s/ave was strategic in the launch of The Bus Shop - the first and longest running Christian Hip Hop store on the web - along with Kenneth "Bus" Falls, Jr. He gave the store its name and also created its first website.

After several years, the ties that bound began to fray as artists joined but also kept an individual URL on the side. It became harder to sell and get buy-in for the idea and eventually the site withered away to a simple, yet lively, message board. s/ave also found his passions steadily shifting away from the Christian rap community to a group nearly as underground.

“Deaf culture,” s/ave explained. “I left the world of hip hop to serve the people who didn’t hear it.”

s/ave enrolled in college level American Sign Language classes and began to get involved in deaf church ministries and stage plays. This left little time to maintain DaSouth.com.

However, he knew of a local Christian rapper and business owner who was an emerging leader in both his city and the movement as a whole. In 2008 s/ave handed over ownership of DaSouth.com to Bobby “Tre9” Herring.

Since then, s/ave served as an educator for deaf and special needs children in the Cy-Fair Independent School District.

He is survived by his wife Theresa “Tee” Douglas.

In lieu of flowers, memorials may be made to Theresa Douglas c/o the Richie Douglas Memorial Fund through Wells Fargo Bank, acct.#7963198499, benefiting the Texas School for the Deaf.