Friday, September 14, 2007

Reprint: Soul P "The Arrival" (U-Zone Magazine - April/May/Jun 07)

Here's a reprint of the Soul P cover story I wrote for U-Zone Magazine's April/May/June 2007 issue. If you dig it subscribe to the joint or check into buying some ad space and support holy hip hop journalism.

You can also hear Soul P interviewed on The Wade-O Radio Show you can get on HCR.fm or as a free podcast through iTunes.

[My apologies to Wade for giving him bad info about P's mission trip when he asked for input on the message boards prior to his interview. I told him Soul went to Bolivia when it was really Grenada. I got it right in the story and incorrect on the post. My bad! Thanks for the on-air rib though Wade. It's all love.]

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The Arrival:

Okay, let’s go ahead and acknowledge the obvious. Yes, Soul P. is the underground cat you used to know as Soul Plasma. Yes, he’s got a record deal and some marketing money behind him now. And yeah, his latest album is designed for maximum sales and airplay.

Is it a sell-out? Maybe to some, but P doesn’t see it that way.

“Sure, The Premiere is a very commercial record, but it’s soulful at the same time,” the artist said. “I’m comfortable in this role and don’t think I’ve really changed that much. I do what I do and that’s it.”

The album’s title is a bit of a misnomer. Syntax Records initially featured P in 2002 on the Acts 29: Under Exposed compilation with Braille and Ohmega Watts. He also released his Simply Soul and The Soul Affect albums on an indie level shortly thereafter. In fact, The Premiere theme is actually attempting to draw upon the image of a Hollywood movie launch more than a particular artist’s debut. But even that has drawn its critics.

“Yeah, I’ve read some corny e-mails and message board posts that I was being too flossy or that my album cover and promo shots made it seem like I was glorifying myself,” Soul P. confides. “I think they just missed the idea we were going for. I mean, the album cover is about a red carpet, step-out-the-limo type thing. That’s it.”

P said he responded to some of these keyboard critics and let others go unanswered. He further defends by saying he could have taken the easy route and simply given a mean mug glance to the camera for a thugged-out cover shot with a posse full of homies in the background. And it’s not like the album’s title was something more high-minded or abstract like Grace or Peace.

“It’s cool though. My manager always tells me that if you don’t have critics, then you don’t have fans.”

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Beatmart, the ever-expanding label run by super producer Todd Collins definitely has Soul P.’s back. Of all the albums and artists released by the company, this one seems to be given a little extra nurture and care.

The Premiere was marketed with a free download snippet-blend mixtape by DJ Morphiziz, a “Getting’ In With Soul P.” pre-release video blog, an album single video shoot with A-list production crew, is part of a joint partnership with Sony/ BMG, and had P hitting pop networking scenes like the NBA All-Star Game in Las Vegas and the Sundance Film Festival.

“The reason we’re pushing The Premiere so hard is because, we as a label, believe so much in this record and in Soul P. as a person,” Todd Collins said via e-mail. “Hopefully in the end, a ton of people will have been exposed to this record, to Soul as an artist, and a ton of lives will be impacted as a result. That’s our prayer.”

Talk to just about anyone who has collaborated with or observed Soul P.’s work ethic and you’ll get the impression that any rewards or benefits now coming his way are well deserved.

“Soul P. is a joy to work with. Not only is he a man of God, he is a hard worker, in and out of the studio. He also has a keen ear for hooks, which we love over here. Creatively, we just mesh,” said Elected Official of Winona Drive Productions.

“We trust his opinions and he trusts ours, and the stuff we do together comes out crazy fresh. I don't even think he's hit his stride yet either. He has a lot of great ideas and is just beginning to grow into who he is as an artist.”

The artist formerly known as Plasma has also impressed gospel rap vets.

“I think Soul P. is the next-now. He definitely has the talent and the swagger and his connection to Beatmart can only lead to success. I love his CD!” Ras said.

In fact, Lil’ Raskull’s Grapetree records were some of the first holy hip hop soundtracks Soul P. heard after his 1998 jail stint and decision to follow Christ.

Although Mike Greene’s (aka Soul P.) northwest upbringing has the familiar street-thug-to-rapper storyline, it wasn’t any less painful or undeserving of respect. He says his various times behind bars were for knucklehead robbery and drug selling stunts as a juvenile. After getting his release, he was mentored and discipled by a youth pastor that gave him a legit job doing roof repair.

Once in church and seeing the kingdom of God expressed through hip hop, Soul P. was sold. He linked up with the Lightheaded (Braille & Ohmega Watts) folks for the Acts 29 project and later developed his Soul Plasma persona for the two indie records. By the time his “Five Fingers” track made it on Beatmart’s Best of the Submissions Vol. 2, the buzz had begun.

Now, he’s husband and father trying to balance family with constantly touring and spreading his light to schools and Christian festivals. Peep his schedule and you’ll see dates with mainstream artists like Bubba Sparxxx followed by trip to Grenada for events with international evangelist Luis Palau.

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Is Soul P. too flashy and polished to be a Christian who raps? Or this is perhaps a role that needs to be effectively filled in order for this message music to obtain its maximum impact and audience grab.

Too often, holy hip hop is only made for the street or the underground. Surely there’s a fence-straddling Kanye West in our midst who can satisfy both the artistic and commercial urges of our industry.

In fact, he may have just made his Premiere.

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Watch the video for Soul P's "Whoa, Whoa!" below.

Tuesday, September 11, 2007

Recap: D@South.com Benefit (07/29/07)

Man how I wish all the folks that bemoan the lack of unity within holy hip hop (HHH) could've been at this event. They would have been blown away. How? Let me count the ways:

a) The true sense of community, familiarity, and joy between hip hop artists
b) The number of selfless artists involved
c) The "bigger-than-me" goal of the night
d) The quality of performances
e) The length of the show (3 hours)
f) The price of the show (Free admission)
g) The blessed end result (Over $1,500 raised / 12 souls saved)

But first, a little background…

Da South Site

7 years ago in 2000 my man s/ave had an idea to turn his successful HHH magazine web presence ( http://www.om95.com/) into a local community-driven hip hop ministry site, re-built to serve and expose gospel rap cats residing predominantly on the Third Coast.

DaSouth.com was intended to be a unified destination where artists and labels waived their claim to an individual, specific web address URL (example: http://www.christianrapnetwork.com/) for an umbrella domain (http://www.dasouth.com/) that would drive increased traffic and allow for multiple artists to market and promote a single site.

The vision was that Rapper X pushes his website as DaSouth.com wherever he goes, while Rapper Y and Rapper Z both do the same. Then, when Li'll Johnny Newfan logs on to check it out he'll find out about Rapper X, Y and Rapper Z and everybody wins.

Although MySpace and other sites eventually cannibalized this vision, the site (mainly through its vibrant message board) continued to foster community between local HHH rap heads and went on to gain a rep as THE location for Jesus Christ's Southern urban music movement.

Da Mission

A few months ago s/ave stepped away from the game to be led in a new, unchartered direction in his life. Desiring his rap network to be cared for, he willfully transferred ownership of DaSouth.com to one of HHH's most faithful and steadfast leader stewards: Tre9.

As anyone who knows or has worked with Tre can attest, he always puts others before himself. Not content to use such a valuable and marketable domain name for his own gain, Tre9 continued to carry the torch and will use the URL to serve all music ministers who share his geographical location.

Understanding that the site could use a facelift, but not wanting (or needing) to bear the full financial burden of such an endeavor, Tre9 organized a benefit concert to raise the money needed to revamp D@South.

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Da Big Show

On a night unlike any night in late July 007, Holy Hip Hop in Houston Texas experienced a cornerstone event. Although this benefit concert would be free to fans, artists wanting to perform were asked to contribute a $50 stage fee and help with general promotion.

Just about everyone who was asked came up with the cash (or more) and got up on the bill. Champions Covenant Church in northwest Houston -home to one of the Texas Holy Hip Hop Achievement Awards Show- was gracious to host it, and that thing got kicked off right, sometime around 6:30 pm til late with AFC and J-Chill as emcees.

NOTES:

I summarized the show at the jump and this blog is already longer than I expected, so from here on out I'll just drop in some flix and comments and let the pictures save me a thousand words.

The show went pretty much in the order I have described below.

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Lil Lite (J-Chill’s daughter) kicked things off.

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Ace and his boy Duece were next. Bruh was brave sporting the Michael Vick jersey. (To be fair, this was before The Running Man’s boys rolled on him and Ookie copped a plea.)

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Von Won, Sypreme (of ABF), and Bless’t were in the house.

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This photo doesn’t show it but J Harrison is a dancin’ fool. Dude even put on a dance contest for a fan to win CY’s (not his) last album.

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DJ D-Lite (my man's got more job titles than that West Indian family from In Living Color) came in from Austin to man the wheels of steel.

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Madd Apostle spit some super-fast and heady rhymes.

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Still Trill Christians were in the building.

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Narrowmind did s/ave’s favorite Slow Lane Chronicles cut: “Thou Art God” and a new one called “Who Loves You?” that reminded us that Christ even has a heart for “the 9/11 terrorists, the rich, and the snitch.”

Dude is also running a Christian musicians fellowship every 2nd Sunday of the month at his crib for the purposes of prayer, discipleship, networking, and breaking bread. If y’all are close hit him up.

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R Lopez (a big fan/supporter you might recognize from the message board) was in attendance with his wifey and other fam.

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LOCs (he also performed) was in the crowd with S.O.M.’s Goldenchild (who also moderates DaSouth’s message board.)

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Icece got the crowd to put their H’s up.

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Tre made some announcements about some events that will continue to raise the profile of HHH in our area.

1. The first ever Holy Hip Hop Cruise will commence the week after the 2008 Texas Holy Hip Hop Achievement Awards. Book your room now.
2. The Gospel Announcers Guild will have their awards this Thanksgiving in Austin, TX and have a rap division for the first time this year.

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Bless’t & Gangsta Loc represented Eternal Hu$tle and reminded us to pump “That Jesus.”

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DJ D-Lite and CY. Wait, ain’t Mr. Smiles supposed to be behind the boards? !? Who's manning the turntables?

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Chase Austin and them T.I.C. boys “bet us a $100,000 that our heads wouldn’t stop bobbin.” I think we lost.

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Suge White (aka The Farmer aka The White White Man aka Bobby Ray aka Tre9) and Narrowmind take a breather.

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Truvine and his podna Lil Flea were there to shine their light.

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Austin’s B.L.U.E absolutely killed it with some acapellas and my man is probably the best in the biz when it comes to facial expressions that emphasize his words and hooks. It definitely adds to the show.

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Anotha big announcement: Lil Bleezie is now part of Lil Raskull’s Javo Records family. Be looking for a re-release of his award winning “Times Change” disc and new version of “The Good News Bad Boys” with the Color Man and Ras.

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These boys tag teamed a nice set and really set it off. Ras told us to “Man Up!” and reminded us that if he says that Christ is the King we can “Bank On That.”

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Y’all shoulda seen Ras’ kids go wild for Daddy. They’ve got some fly dance moves and were fully supporting their pops. That’s E-Man throwing up the rockstar horns with a lift from his big sis.

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D-Rock and Yunek were in the place to be.

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“Y’all Didn’t Know” that S.O.M.’s got “Faith” and are some “Fiyah Starters”?

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What about when Denzil added a reggae remix of “This Is Why I’m Hot” to “You Don’t Know Me Like Dat”? It was heat!

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Ace/Deuce in the area.

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Young Disciple banged it like it was “King Kong.” His song “One Faith” was very appropriate for the night with its “If I make it, you make” theme for HHH unity.

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S.O.M.’s Boyce and Twin kick it with Sypreme

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CY once again brought the “Circus World Event” and rocked it. Still with the top hat, but no red tails. This was a black and white affair.

Man, this CD is gonna be nice and deep. Lots of metaphors and stories to uncode and apply to your life. It’s not a typical Dirty South sound, but we got love for real art.

During the set Ras leaned over and told me “That’s my heart right there,” referring to CY’s more East Coast underground delivery. “I’m a b-boy from the old school,” he said.

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J Harrison and his youngest fan.

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Anotha big announcement: Von Won is now with Much Luvv Records! “What’s Up H-Town?” Did you know He can “clean you up and use you?”

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The blessing bucket was passed around by promoter/booking agent Jimmy McDowel. (You may also recognize him as the cop from S.O.M.’s video.) God loves a cheerful giver.

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Finally, Tre9 hit the stage and took us to the farm.

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Then thangs got real cool as Tre invited all of the artists onto the stage for a final family jam of “I Be Comin’ Thru.”

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He also led us in a prayer for all of the HHH guys in the city and region and country. We prayed that God would bless them with the resources and staff that will make them more effective ministers. We asked for forgiveness for our selfishness. We thanked Him for the host church for the night. We prayed for the website and how it will be used. It was pretty dope.

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Pastor Victor Pena also held an alter call. About 12 people made decisions that night to become followers of Jesus the Christ.

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The Still Trill Christians were one of several groups offering to pray with people for their various needs.

So overall, it was a stellar, very memorable night. It reminded me of a classic Houston HHH concert from the late 90’s where everyone was chillin’, supporting, having fun, and winning souls.

There were different styles and crews represented but it was all under one purpose and one banner.

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I really hope we keep this going.